Advertising at the central-plateau hub of Niemeyer's capital

Brasilia International Airport handled 16.7 million passengers in 2025 across a single terminal. Gol Transportes Aéreos and LATAM Brasil hub here. Opened May 3, 1957. Blindspot books its screens by the hour, priced per play.

Updated July 28, 2026 By Blindspot · location intelligence

0.0M

annual passengers through BSB (2024)

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piers, 29 jet bridges

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into central Brasilia by taxi

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puts your brand airside via Blindspot

Brasilia International Airport's billboard spots, ranked

Directional 1–10 scores based on zone type and passenger flow, not audited measurements. Every zone is bookable by the hour on the platform.

01

Departures hall

Best for: Launches · Government · Tech
The single-terminal check-in hall funnels every departing traveler past premium digital media before the North and South Piers.
Visibility: 8
Dwell time: 6
Footfall: 7

02

Security & checkpoint

Best for: Finance · Telco · Auto
Screening for Terminal 2 holds a phone-down queue, and Gol Transportes Aéreos and LATAM Brasil connection times keep it busy through the day.
Visibility: 6
Dwell time: 7
Footfall: 7

03

Concourse & gate holdrooms

Best for: Travel · FMCG · Apps
Domestic and international passengers wait out boarding dwell across the North and South Piers and their 29 jet bridges.
Visibility: 6
Dwell time: 8
Footfall: 6

04

Arrivals & baggage reclaim

Best for: Hospitality · Government · Local
The reclaim belts and the arrivals corridor catch a captive, recently landed audience of capital and connecting travelers.
Visibility: 7
Dwell time: 7
Footfall: 7

05

City transit link

Best for: Commerce · Mobility · Retail
The taxi, ride-hail and executive-bus stands repeat your brand on the run north toward the Monumental Axis and central Brasilia.
Visibility: 5
Dwell time: 5
Footfall: 5

06

Lounges & duty-free

Best for: Premium · Spirits · Beauty
The Brasilia duty-free and the airline lounges reach a higher-spend government, business and capital traveler before the flight.
Visibility: 4
Dwell time: 8
Footfall: 4

Brasilia International Airport screens, in the wild

Blindspot puts digital out-of-home (DOOH) and classic out-of-home from Brasilia International Airport's media owners, Inframerica airport media, JCDecaux Airport, Eletromidia among them, onto one map, bookable by the hour.

Imagery from media-owner/operator partners. Locations indicative; live availability and per-screen pricing show in the platform.

Every Brasilia International Airport format, one map

From a single gate screen to a full arrivals-hall takeover, Blindspot puts Brasilia International Airport's digital out-of-home on one map, each screen priced per play and bookable by the hour. The formats that matter airside and landside:

Departures & check-in LED

Large-format digital across check-in islands and departures, where every traveler dwells before security.

Security & checkpoint queues

Captive screens along the security and passport queues, minutes of guaranteed attention per passenger.

Concourses & gate holdrooms

Concourse and gate-lounge screens reaching seated, relaxed travelers with long airside dwell.

Arrivals halls & baggage reclaim

High-dwell arrivals and baggage-claim placements as passengers wait, the airport's longest captive window.

Jet bridges & boarding

Boarding-bridge and gate-side panels in the final moment before the flight.

Spectaculars & landmark LED

Iconic hall and atrium spectaculars for brand-statement reach across the whole terminal.

Location insights

Brasilia International is the gateway to Brazil's purpose-built modernist capital and a key connecting hub at the centre of the country, on the high central plateau. The single terminal splits into the North and South Piers with 29 jet bridges, feeding the domestic network and international routes as Brazil's third-busiest airport. Mornings and evenings push the dense domestic banks between Sao Paulo, Rio and the north, midday holds the government and connecting dwell, and the arrivals halls and the taxi and executive-bus stands fill toward the Monumental Axis, Oscar Niemeyer's crown-of-thorns Cathedral and the National Congress domes. One terminal, two piers, one capital-and-connecting audience. Buy the banks, not the dead hours.